Bucket Surprise!


The collection at Bingham & District Choral Society Carol Concert raised £976.55 (including Gift Aid) for Framework the charity that raises funds to help homeless people in Nottinghamshire.

Pictured is our Musical Director (Guy Turner) clearly surprised (and no doubt delighted) at the success of the collection taken at the end of the concert.  Guy thanks all those that gave generously to support this worthwhile charity.



Barber of Seville

Event, News

Swansea City Opera tour a fully produced opera each year – in 2018 we are touring Barber of Seville, and we have performances scheduled across the UK, including Mansfield, 25/03/2018.

Each year, we offer the opportunity for a local choir to join us to support our professional cast.

The 2018 production of Barber of Seville by Rossini will be sung in English in our own translation and set in late 18th Century Spain and our design features fantastical and exaggerated costumes highlighting the humour of the opera. This will be a revival of the production originally staged in 2011 and will feature a full professional cast and orchestra of 10 musicians.

The choir will be involved in:

  • the beginning as musicians with Fiorello. Although all the choruses are only written for men we will rewrite the parts for SATB and costume the choir in masks and domino costumes so the ladies can be involved as well. Because of restrictions on space on the set, we anticipate up to 16 members of the choir will be on stage in this scene and the remainder will sing off stage. It would be an advantage if the choir members could provide an old instrument to pretend to play!
  • the Finale at the end of Act I as policemen and general crowd of both sexes, and the parts will be rewritten for SATB.
  • at the very end of the opera, again as a crowd of both sexes and the parts will be rewritten for SATB.

We anticipate having a maximum of 20 choir members on stage in the Finale of Act 1 and the end of the opera, with the facility for any additional choir members to sing off stage. All costumes will be provided – but we will ask you to provide your own footwear.

We will provide the translation and music, and will post sound clips on Soundcloud for you to listen to and learn from. Once again, we will offer 2 supported rehearsals nearer the date with our Musical and Choir Directors, along with a final rehearsal in the afternoon of the performance date.

I would be delighted if at this stage, you would consider supporting us. If so and you are able to help us with more than one performance, please do let us know – it would be lovely if all the hard work put in could be expressed on more than one occasion. I have attached the tour schedule for your information.

We would appreciate a response either way as it is a condition of our Arts Council England funding that we update date them with those choirs taking part.

Best wishes,

Dorothy Haines – on behalf of Swansea City Opera


029 20 397 341

Cropwell Bishop Singers are very keen to find a new accompanist


Cropwell Bishop Singers are very keen (not quite desperate!) to find a new accompanist as our present incumbent wants to retire in the summer.

Are you, or do you know, a competent pianist who would like to help us?

We are a village choir of a not particularly high standard singing popular music from shows, films, even the hit parade! We do it for fun and have 2 or 3 local concerts per year.

Unfortunately, we cannot afford to pay (!) but we could find reasonable travel expenses, but the lucky person would be guaranteed lots of fun!

Contact Derek Tabron (through BDCS or: 0115 989 4836, 07726 152 282, derektabron@uwclub.net)


Singing the Verdi Requiem in France – June 2017


At the beginning of June 2017, a large contingent of singers from the East Midlands, including a dozen members of BDCS, set off for France with the Nottingham Symphony Orchestra to perform the Verdi Requiem in Chartres Cathedral and the Madeleine in Paris.

We were joined by singers from a French and a German choir, making it a truly international experience. It was a fantastic privilege to sing one of the greatest romantic works in the choral repertoire in such legendary places. We were also blessed with four wonderful soloists (Sarah Baillie, Sandra Klara Januszewska, Richard Roddis and Geoff Williams) and the charismatic leadership of Derek Williams, Musical Director of the NSO, to spur us on.

The concerts were well publicised in advance and attracted large, appreciative audiences in both venues. We were even treated to a standing ovation!  A reception in a Paris restaurant provided a fitting, celebratory finale before the long trip back home. Much fun was had and many friendships made along the way, so much so that a visit to Prague is contemplated in two years’ time. The trip was a great example of how choral singing crosses divides and expands horizons, personally and musically.

The photographs are of Chartres Cathedral interior and exterior with son et lumière, and The Madeleine, Paris.



John Rutter leads a Singing Day for Bingham Choir


John Rutter, the legendary composer and conductor of choral music, came to lead a Singing Day at The Minster School, Southwell, on Saturday at the invitation of the Bingham and District Choral Society.  Judith Unell, Publicity Officer for the choir, says, ‘We just couldn’t believe our luck when John agreed to do this for us because he has such an incredibly busy schedule of international commitments. We feel very honoured’  The Singing Day was widely advertised and quickly sold out with more than 300 people attending.   Four young members of the Minster Girls’ Choir helped ensure that things ran smoothly on the day and also took the opportunity to pose for a photo with John.

John Rutter with (l-r) Joanna Bennett, Alexia Doyne-Ditmas, Anna Wood and Molly Barker from The Minster Girls’ Choir

His exuberant and warm personality enabled everyone to relax and experience the joy of singing, but also to benefit from his immense knowledge of vocal technique. There were plenty of highly entertaining anecdotes too, drawn from his rich musical career.  The choice of musical pieces ranged from the poignant and delicate ‘Who is Silvia’ by British composer George Shearing to the storming adaptation by John himself of `When the Saints go Marching In’ at the end of an uplifting, entertaining and unforgettable day.