News and Events

Joseph Doody

Tenor

Joseph Doody is from Shipley and studied at Edinburgh University, the Royal College of Music, and the National Opera Studio. Operatic roles include Jupiter Semele, Pylade Iphigénie en Tauride, Leicester Maria Stuarda, Ramiro La Cenerentola, and Count Almaviva Il Barbiere di Siviglia. Recent concerts have included Bach’s St John Passion with both the Academy of St Martin-in-the-Fields and the Hanover Band, Beethoven’s Missa Solemnis with Southbank Sinfonia, Rossini’s Stabat Mater for Leamington Bach Choir, Britten’s orchestral song cycles Serenade for Tenor Horn and Strings and Les Illuminations with Skipton Camerata, Monteverdi’s Vespers at St John’s Smith Square, and Orff’s Carmina Burana with Brighton Festival Chorus. Upcoming engagements include Britten’s St Nicholas with Teddington Choral Society, and the role of Guglielmo in Donizetti’s Viva La Diva at Buxton Opera House. As well as music, his interests include cinema, cooking, and fitness. For more, visit www.josephdoody.co.uk

Richard Dowling

Soloists, Tenor

Richard Dowling is a graduate of the Royal Academy of Music’s Opera Course, where he was privileged to perform the role of Tom Rakewell in Stravinsky’s ‘The Rake’s Progress’ and as a soloist in the Academy’s complete Bach cantatas series. He is now supported by Opera Prelude and regularly appears in their concerts and lectures.

He sang the role of Ferrando in Mozart’s ‘Cosi fan tutte’ with West Green Opera and, working with the inspirational Graham Vick, performed the role of the Sailor in Birmingham Opera Company’s production of Purcell’s ‘Dido and Aeneas’. He has sung the role of Nemorino in Donizetti’s ‘Elisir d’amore’ with Jackdaws OperaPLUS. He has been a regular with Garsington Opera and amongst other roles performed as the Glassmaker in Britten’s ‘Death in Venice’ conducted by Steuart Bedford. He also sang the role of Count Almaviva in Rossini’s ‘The Barber of Seville’ as a young artist with Mid Wales Opera.

He is also an experienced oratorio artist, engagements including Britten’s ‘Ballad of Heroes’ and Mozart’s ‘Requiem’ in the Bridgewater Hall, Finzi’s ‘Dies Natalis’ in Brentwood Cathedral, Janacek’s ‘Otcenas’ in Gorton Monastery and the ‘Messiah’ in Lincoln Cathedral.