Richard Dowling

Soloists, Tenor

Richard Dowling is a graduate of the Royal Academy of Music’s Opera Course, where he was privileged to perform the role of Tom Rakewell in Stravinsky’s ‘The Rake’s Progress’ and as a soloist in the Academy’s complete Bach cantatas series. He is now supported by Opera Prelude and regularly appears in their concerts and lectures.

He sang the role of Ferrando in Mozart’s ‘Cosi fan tutte’ with West Green Opera and, working with the inspirational Graham Vick, performed the role of the Sailor in Birmingham Opera Company’s production of Purcell’s ‘Dido and Aeneas’. He has sung the role of Nemorino in Donizetti’s ‘Elisir d’amore’ with Jackdaws OperaPLUS. He has been a regular with Garsington Opera and amongst other roles performed as the Glassmaker in Britten’s ‘Death in Venice’ conducted by Steuart Bedford. He also sang the role of Count Almaviva in Rossini’s ‘The Barber of Seville’ as a young artist with Mid Wales Opera.

He is also an experienced oratorio artist, engagements including Britten’s ‘Ballad of Heroes’ and Mozart’s ‘Requiem’ in the Bridgewater Hall, Finzi’s ‘Dies Natalis’ in Brentwood Cathedral, Janacek’s ‘Otcenas’ in Gorton Monastery and the ‘Messiah’ in Lincoln Cathedral.

Haydn Harmoniemesse: lesson 18, 6 January 2021

Distance Learning

Introduction to Haydn Harmoniemesse from Guy Turner

Group performance Haydn Harmoniemesse

Soprano rehearsal

Alto rehearsal

Tenor rehearsal

Bass rehearsal

Piano accompaniment

Due to a technical issue the last two minutes of the piano accompaniment video is missing, the soundtrack however is unaffected so this will not disrupt your rehearsal.

Link to a performance of the Kyrie Haydn Harmoniemesse

Tchaikovsky: The Crown of Roses: lesson 16, 9 December 2020

Distance Learning

Introduction to Tchaikovsky: The Crown of Roses from Guy Turner

Group performance Tchaikovsky: The Crown of Roses

Soprano rehearsal

Alto rehearsal

Tenor rehearsal

Bass rehearsal

Piano accompaniment

Link to a performance of Tchaikovsky: The Crown of Roses

Link to Arensky variations mentioned in Guy’s talk